Jane Fancher Information

Jane Fancher

Jane Fancher

Artist / Author
Spokane, WA

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On October 24, 1988 in Oklahoma City, OK, at a suggestion from SF author C.J. Cherryh, I began writing. I kept writing because two hours after starting, I had to find out what happened. A little over a year later, I was the startled owner of a three book contract based on the rough draft of my first novel.

My formal educational background is in Math, Physics, Astrophysics and Anthropology. I've raised and trained horses, flown planes, and at 51, took up figure skating. I love building things, from costumes to computers, model ships to koi ponds. I play a little guitar, some piano and like to sing.

I actually got started in the publishing world doing art. I worked on WaRP Graphics' Elfquest, helping with inking on the last few volumes of the original black and white, also helping with the colors in the original color volumes. After that, I moved on to my own project, an adaptation of C.J. Cherryh's first novel, Gate of Ivrel.

These days, after many years away from art, I find myself returning to it to do covers for my newest venture, Closed Circle Publications. A couple of years ago, C.J., Lynn Abbey and I decided to join the ebook movement and bring out both our orphaned backlist and some new works that weren't quite what NY was looking for but which our loyal readers were demanding.

What appeals to me about writing in general is the constant challenge. I'm a generalist and writing is the one thing that will happily use every bit of information and experience you have to put into it. It's constant problem solving, method acting and soul-searching all rolled up into one 24/7 job.

What I love about writing SF/F is...everything. I love the optimism of believing there is a future for humanity. I love the challenge of imagining what that future might be. But most of all, I love the thrill of exploring that future with the interesting and courageous people I find living in it.

But SF/F has another, less obvious, appeal: the ability to write with a social conscience without preaching. It lets writers create worlds in which they can shed light on aspects of current society in a less charged environment. It's a way to help raise awareness without pointing fingers at anyone.

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